small editorial changes, spelling errors, grammatical changes

Built-In-Qualities.md

@@ -4,7 +4,7 @@ Radarr uses "Scene" quality tags to match qualities that you can apply to Qualit
 
 ### WORKPRINT
 
-A workprint of a film generally contains timecode and usually has watermarks from the studio involved in the production of the film. These "proxy" copies of a film often go between the editorial and visual effects departments of the film crew. A workprint may be of any resolution, but are generally lower quality versions of the film used to show progress on the editorial or post-production process. Therefore, these may not be at all the same as a theatrical version of the film, and may be missing many of the visual effects that end up making it to the theatrical release.
+A workprint of a film generally contains timecode and usually has watermarks from the studio involved in the production of the film. These "proxy" copies of a film often go between the editorial and visual effects departments of the film crew. A workprint may be of any resolution, but are generally lower quality versions of the film used to show progress on the editorial or post-production process. Therefore, these may not be at all the same as a theatrical version of the film, and may be missing many of the visual effects or audio that end up making it to the theatrical release.
 
 ### CAM
 
@@ -18,7 +18,7 @@ A telesync is the same spec as a CAM except it uses an external audio source (mo
 
 ### TELECINE (TC)
 
-A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment and cost involved telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. TC should not be confused with TimeCode, which is a visible counter on screen throughout the film.
+A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment and cost involved telecines are fairly uncommon. Generally, the film will be in correct aspect ratio, although 4:3 telecines have existed. TC should not be confused with TimeCode, which is a visible counter on screen throughout the film.
 
 ### DVD SCREENER (DVDSCR)
 
@@ -26,7 +26,7 @@ A pre-release DVD often sent to awards judges and various other places for promo
 
 ### SDTV
 
-Postair rips from an analog source (usually cable television or OTA standard definition). The image quality is generally good (for the resolution) and they are usually encoded in xvid/mp4.
+Post air rips from an analog source (usually cable television or OTA standard definition). The image quality is generally good (for the resolution) and they are usually encoded in XviD/mp4.
 
 ### DVD
 
@@ -76,7 +76,7 @@ A copy of the final released Blu-ray, at its native 1080p resolution (1920x1080
 
 The final released Blu-ray, remuxed into a container MKV. The original audio tracks and video track are untouched, which means it is basically an exact copy of the Blu-ray in question, just in a video container that your media player can deal with. Remuxing simply means taking the original streams and packaging them into a different container format, hence no discernable quality difference can be observed between it and the original source media.
 
-### HDTV, WEBDL, Bluray, and Remux-2160p
+### HDTV, WEBDL, Blu-ray, and Remux-2160p
 
 4K versions of films that are released in generally HEVC codec and could be either 8-bit or 10-bit color reproduction or from an HDR source. These are released in 3840x2160 at 16:9, any other aspect ratio may be different. The source may vary, since 4K content comes from a variety of sources, read up on the sources above to get a better understanding of where the source comes from.
 
@@ -104,7 +104,7 @@ An internal release is done for several reasons. Classic DVD groups do a lot of
 
 ### STV
 
-Straight To Video. Was never released in theaters, and therefore a lot of sites do not allow these.
+Straight to Video. Was never released in theaters, and therefore a lot of sites do not allow these.
 
 ### ASPECT RATIO TAGS
 
@@ -116,4 +116,4 @@ If a group releases a bad rip, they will release a Repack which will fix the pro
 
 ### NUKED
 
-A film can be nuked for various reasons. Individual trackers will nuke for breaking their rules (such as “No Telesyncs”) but if the film has something extremely wrong with it (no soundtrack for 20mins, CD2 is incorrect film/game etc) then a global nuke will occur, and people trading it across sites will lose their credits. Nuked films can still reach other sources such as p2p/usenet, but its a good idea to check why it was nuked in the first place. If there's something wrong with a group release, they can request a nuke.
+A film can be nuked for various reasons. Individual trackers will nuke for breaking their rules (such as “No Telesyncs”) but if the film has something extremely wrong with it (no soundtrack for 20mins, CD2 is incorrect film etc) then a global nuke will occur, and people trading it across sites will lose their credits. Nuked films can still reach other sources such as p2p/usenet, but its a good idea to check why it was nuked in the first place. If there's something wrong with a group release, they can request a nuke.